relearn [the] checklist

Inquire   E R I K A

This is an inspiration/reblog tumblr

click here for my main art blog


azertip:

animation designs from back in the calarts’dayz

(Source: simonleclerc, via relissabt)

— 1 day ago with 3977 notes
Teach Yourself X →

storyshots:

Mark Twain allegedly said, “I have never let my schooling interfere with my education.” Secular homeschoolers love this quote. We wear it on tie-dye t-shirts, print it on mugs, and I don’t think any of us exist who didn’t love saying it to schoolers and basking in their baffled stares…

— 2 days ago with 127 notes

tritticodelledelizie:

Gian Lorenzo Bernini

Apollo e Daphne

from Ovid’s Metamorphoses

marble, 1622-25, Galleria Borghese, Roma

(via marazione)

— 4 days ago with 25841 notes

maegalcarwenraven:

Here is what to do with some old, broken terracotta pots!

(via ktshy)

— 6 days ago with 24687 notes
katisque:

Luke Bullen 2014 Press show

katisque:

Luke Bullen 2014 Press show

(via costumerism)

— 1 week ago with 110 notes

Wilhelm Bernatzik 
Gate to Paradise - 1906

Wilhelm Bernatzik

Gate to Paradise - 1906

(Source: belaquadros, via marazione)

— 1 week ago with 1517 notes

sketchinfun:

nadya-mira:

Gobelins/Calarts 2014. Nadya Mira. 

And all the GREAT people who were helping me

BG painting: Vasiliy Zorin Alexandre Deboine Sergey Kritskiy

Animation: Elena Volk, Pavel Andryuschenko, Tony Unser, Denis Borisovich, Toniko Pantoja,  Nata Metlukh  Eve Guastella Thidaud Gayral  Ilya Shekiladze, 

and many thanks to Fran Krause who was my film workshop teacher at Calarts

Y’all go check out Nadya’s awesome film yo! It’s so beautiful :O

— 1 week ago with 942 notes
#that ending haha 

cheer-prienz:

Sen for frapbois half 2013 lookbook

(via radiantboy)

— 1 week ago with 4339 notes

nadya-mira:

Welcome to my world of weird animating. So this is one of my favorite shots not only because of it’s quality but also because for me it was the first time directing a subtle acting and for Lena it was the first time when she was animating a subtle acting. So we were carefully managing all his fingers and eyeballs movements as precisely as his thoughts. In the most of cases animation in this film was done direct-in-color, but into complicated shots it was painted over tie-down. So the first stage was silly painted key-poses, then after several takes a rough animation by Lena was incredibly-well done. After that I was drawing clean key-poses over it and Lena was tying-it-down and cleaning-up.

Oh thank you mighty Lena for this great time and for the all the inspiration you gave to me with your hard work! (it’s a secret but now she is working on something really mad-looking)

You can check her demoreel here. And if you haven’t seen my film it is still there.  

— 1 week ago with 1280 notes

bifanoland:

Hey guys! Thought It would be neat to do a process post on my ‘Vasilisa Encounters the White Horseman’ piece, since I documented the painting process in more detail than normal. Please forgive the crappy photobooth image quality. 

 All in all, it took about a month to complete from thumbnail phase to final.  It was a lot of trial and error, and I learned a lot in painting this image. 

In case you’re interested, prints of the image are available here: http://www.inprnt.com/gallery/laurabifano/

(via typette)

— 1 week ago with 3420 notes